pattern for playing the selected scale in a different position on the fretboard. Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. This scale is almost the same as the one for the Dorian mode, except it also has a minor (lowered) 6th. See also Aeolian Dominant. This step shows the notes when descending the B aeolian mode, going from the highest note sound back to the starting note. In a later step, if sharp or flat notes are used, the exact accidental names will be chosen. Demonstration of the aeolian scale for my graded unit. The Aeolian Scale consists of the same notes as the Natural Minor Scale. This step shows an octave of notes in the B aeolian mode to identify the start and end notes of the mode. Even if the notes are exactly the same, there can be some things that separate the Aeolian scales from the Minor scales. © 2020 Copyright Veler Ltd, All Rights Reserved. This step shows the white and black note names on a piano keyboard so that the note names are familiar for later steps, and to show that the note names start repeating themselves after 12 notes. Hit "Go" The notes in B Aeolian are: B – C# – D – E – F# – G – A If you have read the post on understanding the aeolian mode, you will know that the aeolian mode contains a ‘flat 3’, a ‘flat 6’ and a ‘flat 7’ (parallel approach). column shows the mode note names. This can be seen by looking at the Mode table showing all mode names with only white / natural notes used. This step shows the ascending B aeolian mode on the piano, treble clef and bass clef. Scale degree names 1,2,3,4,5,6, and 8 below are always the same for all modes (ie. To count up a Whole tone, count up by two physical piano keys, either white or black. In the two-octave pattern, the first root note is on the 6th string, 7th fret. to see the result. B Aeolian scale for guitar. The aeolian mode uses the W-H-W-W-H-W-W note counting rule to identify the note positions of 7 natural white notes starting from note A. Notes are displayed in the fingerboard diagram, with the root notes indicated by darker color. The Lesson steps then explain how to identify the mode note interval positions, choose note names and scale degree names. The B aeolian mode re-uses this mode counting pattern, but starts from note B instead. If the natural white note can be found in the mode note, the mode note is written in the Match? Guitar Theory available from Amazon. So assuming octave note 8 has been played in the step above, the notes now descend back to the tonic. The numbered notes are those that might be used when building this mode. In contrast, for example, the lydian mode has only one semitone / half-tone separating the 7th and 8th notes, and in this case the Seventh note is called the leading note or leading tone, as the 7th note feels like it wants to resolve and finish at the octave note, when all mode notes are played in sequence. a treble or bass clef), there is no possibility of having 2 G-type notes, for example, with one of the notes needing an accidental next to it on the staff (a sharp, flat or natural symbol). The tonic note (shown as *) is the starting point and is always the 1st note in the mode. That means that, in A aeolian (or A minor), you would play A, move up a whole step (two piano keys) to B, move up a half step (one piano key) to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G… Note 1 is the tonic note - the starting note - B, and note 13 is the same note name but one octave higher. Show me chords that sound good with a B Aeolian scale. G-flat). highest pitch string at the top (unless you've tuned your instrument differently.). The B Aeolian is a seven-note scale (also referred to as the B Minor scale). For each of the 7 notes, look across and try to find the white note name in the mode note name. ‘B Aeolian’ is the 6th mode of the D major scale. The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard. Songs in Aeolian Mode tend to have a sad feeling and the scale is quite common in modern blues and jazz compositions.